The Channel City Camera Club holds monthly Exhibitions to showcase member images and to provide meaningful feedback from judges. The goal for each Exhibition is to have two professional judges and one club judge although that may vary based on conditions beyond the club’s control.
An Exhibition is held on on the first Tuesday of each month that the club meets, i.e. all months other than January, August, and December. Meetings start at 7:30 P.M. and are held in Ferrand Hall of the Santa Barbara Museum of Natural History. Participation in the Exhibition is open to all Active and Honorary club members. Dues must be paid to be an active member.
There are two types of media allowed for exhibition, print and digital file. The specific requirements for each media type are detailed here and here.
During each exhibition, there will be six categories for image submission. These are Conceptual/Creative Editing (formerly Altered Reality), Nature, Open, People, Prints, and Unscored. Members participating in a juried exhibition will be allowed to submit a maximum of three digital images per exhibition night, one per category for any of the three out of the six (excluding prints) listed above that they choose.
You can submit a video up to one minute long into the unscored category. Due to the size of videos, you’ll have to make arrangements for submitting them if they’re too big to email.
2021 Exhibition Schedule
|February 02||Unscored||Open||Nature||People||Conceptual/Creative Editing (formerly Altered Reality)|
|March 02||Unscored||Open*||Nature||People||Conceptual/Creative Editing (formerly Altered Reality)|
|April 06||Unscored||Open||Nature||People||Conceptual/Creative Editing (formerly Altered Reality)|
|May 04||Unscored||Open||Nature||People||Conceptual/Creative Editing (formerly Altered Reality)*|
|June 01||Unscored||Open||Nature||People||Conceptual/Creative Editing (formerly Altered Reality)|
|July 06||Unscored||Open||Nature||People*||Conceptual/Creative Editing (formerly Altered Reality)|
|September 07||Unscored||Open||Nature||People||Conceptual/Creative Editing (formerly Altered Reality)|
|October 05||Unscored||Open||Nature*||People||Conceptual/Creative Editing (formerly Altered Reality)|
|November 02||Unscored||Open||Nature||People||Conceptual/Creative Editing (formerly Altered Reality)|
2021 Special Assignments
|March 02||Open||My Pandemic Life|
|May 04||Conceptual/Creative Editing (formerly Altered Reality)||My Pandemic Life|
|July 06||People||My Pandemic Life|
|October 05||Nature||My Pandemic Life|
This year we ask you to submit a photo in each category as a means of sharing a bit about your life in these challenging times. This year the Assignments have a common theme: My Pandemic Life
The Original Assignment Description: Share an image old or new, (created using any device for photographic capture that conforms to the guidelines of each category) that tells us something about your mood; your emotions; your companions; your environment; your routines; your boundaries. Show us what makes you happy or sad; what lifts or lowers your spirits; someone or something you value differently than before. In short, tell us about your life in the era of COVID-19.
The Attempted Clarification: These Assignments are purposefully broad and open-ended. They’re not expected to be “about the pandemic.” Instead, think about creating images that are “about your life during the pandemic.”
What’s important to you, now? What’s different, for better or worse? Perhaps it’s an important person, or a beautiful location that brings you joy or peace. Share an activity, a mood, an emotion, a genre of photography that’s captured your interest, or a new processing technique that has piqued your interest or expanded your skillset. Represent something you enjoy, share images that express something positive, or challenging, something affirming, or just something you appreciate more than ever. Show us how your engagement with photography intersects with the reality of living in a pandemic.
The Special Assignments for the year are defined as follows:
- Conceptual/Creative Editing aka CCE (formerly Altered Reality): My Pandemic Life – See details above.
- Nature: My Pandemic Life – See details above.
- Open: My Pandemic Life – See details above.
- People: My Pandemic Life – See details above.
Remember that entries for special assignments must be taken after November 2019 when the assignments were announced in the Angle.
CHANNEL CITY CAMERA CLUB REQUIREMENTS FOR EXHIBITION
This document details the requirements for accepting print and digital images for exhibition by the Channel City Camera Club.
The following requirements apply to both print and digital entry.
- Each entered image shall be solely the product of the entering member. No commercially produced elements e.g. stock photographs, may be used to produce the image, with the exception of purchased textures.
- An image that has been given an Acceptance award in a club Exhibition cannot be submitted again for exhibition.
A print entered into the Exhibition must adhere to the following requirements.
- Subject: there is no restriction on the subject material or the technique used in creating the image.
- Quantity: print submissions are limited to one print for each exhibition and must be included in the maximum submission limit of 3 images
- Color: there is no color restriction; prints may be black and white, toned, or in color.
- Material: prints can be printed on materials other than paper provided they can be handled as a light weight flat surface less than 1” thick and stand on the exhibition easel.
- Process: prints may be chemically or computer processed by the submitter or by a commercial provider. The photographer must have performed all image capture, adjustments, and preparation.
- Score Sheet: the photographer’s name and the print’s title shall be submitted by e-mail to the club’s exhibition e-mail address, email@example.com, before midnight on the Friday evening prior to the exhibition. A confirmation notice will be returned when this e-mail is processed.
- Digital Copy: a digital copy of the print should be attached to the e-mail mentioned above for possible use in the Angle and the club’s web site. This file should be in the same format as for the digital file categories with a file name of Title%%Cat%%Artist.jpg, where Cat is the Category abbreviation Pri for Print. Do not include spaces in the file name – use the %% separator between, Title, Category, and Artist (1st name underscore last name – see example).
- Example: the print “Before the Storm” submitted by John Smith would have the digital copy file name, Before_The_Storm%%Pri%%John_Smith.jpg.
- Size: the size of the print shall not be smaller than 5” x 7” or larger than 13” x 19”, horizontal or vertical.
- Mounting: all prints shall be mounted on a suitable backing board such as foam core board and mounted by dry mounting, adhesive spray, tape, or mounting tabs. If a window cutout mat is used to frame the image, the backing and framing mat should be attached to each other to provide secure handling during exhibition. Do not use a wall frame or cover the photograph with glass or acrylic. The maximum size of the backing board and mat is 20” x 24″, horizontal or vertical.
- Identification: the photographer’s name and the image title shall be placed at the upper-left corner on the back of the backing board. This information must be printed clearly so it can be read in low light during the exhibition.
- Print Submission: the print shall be brought to Farrand Hall by 7:15pm on Exhibition night to allow time for review by the judges. The print shall be removed after the Exhibition is over.
- Suitability: if there are questions about whether a print is suitable for exhibition, please contact the Director of Print exhibition. A decision by the Director of Prints that a print submission does not meet the requirements stated above is final and the print will not be included in that night’s exhibition. Any appeal to this decision should be made to the President of the club.
There are 5 categories of digital exhibition. (Revised 2019)
- Nature: the nature photography category is restricted to the use of the photographic process to depict observations from all branches of natural history, except anthropology and archeology, in such a fashion that a well informed person will be able to identify the subject material and to certify as to its honest presentation.
- All adjustments must appear natural.
- The story telling value of a photograph must be weighed more than the pictorial quality while maintaining a high technical quality.
- Human elements shall not be present. The presence of scientific bands, scientific tags or radio collars on wild animals is permissible.
- Photographs of artificially produced hybrid plants or animals, mounted specimens, or obviously set arrangements, are ineligible, as is any form of manipulation that alters the truth of the photographic statement.
- No techniques that add to, relocate, replace, or remove picture elements except by cropping are permitted. No compositing. Techniques that enhance the presentation of the photograph without changing the nature story or the pictorial content are permitted.
- People: any depiction of human beings. Formal or casual portraiture, documentary, and photo-journalistic images are all appropriate as is an image of one or multiple people. Expressive images of specific body parts such as the eyes, hands or face are all allowed.
- Open: an open-ended category that includes images of any subject created using any technique.
- CCE (formerly Altered Reality): The intent of this category is to highlight members’ effective use of post-production techniques to produce a conceptual or creative change to an original digital image. Suggested examples include, but are not limited to, composites, abstractions, layering, blending, and other techniques of digital manipulation.
Simply using unusual angles, extreme close-ups, direct capture of abstract subjects, the depiction of unusual situations, HDR, black and white conversion, camera movement (or other in-camera effects) as the basis for the creative transformation does not qualify a submission for this category. There must be other significant post-production to modify the image.
All images and image components must have been taken, created, or generated by the member with the exception of 3rd party textures.
- Unscored Critiqued: this category is available during every Juried Exhibition for members who want an image critiqued but not scored by the judges. The unscored critiqued category has the following specific rules:
- Subject: there is no restriction on the subject material or the technique used in creating the image.
- Quantity: unscored critiqued submission is limited to one digital file for each Exhibition, and that individual is able to enter photos in two other categories as well. Thus every Club member is eligible to enter three categories at each Exhibition.
A digital file entered into the Exhibition must adhere to the following requirements.
- Subject: the subject material must adhere to the requirements of the specific category that the digital file is submitted into as further limited by the Special Assignment if appropriate.
- Quantity: members may submit up to 3 digital files for each exhibition, no more than one image may be submitted in any single category. Note that submissions of unscored images and prints are included in the maximum of 3 images per exhibition.
- Color: there is no color restriction; images may be black and white, tinted, or in color.
- Process: the photographer must have performed all image capture, adjustments, and preparation.
- Digital File Format: all images shall be submitted in the JPEG (.jpg) file format. It is suggested that you use the highest quality setting when creating the digital file. Save file in Baseline Standard or Baseline Optimized (not Progressive). Guidance on File Saving appears in the Technical Detail section at the end of this document.
- Image Size: the display size for the club’s projector is 4000 pixels horizontal by 2666 pixels vertical. Images should fit within this boundary and the horizontal and vertical dimensions cannot be interchanged. Images that are not properly sized will be resized by the projector and may show a slight decrease in image quality. The value of image resolution is not used by the projector and may be ignored. Guidance on Image Resizing appears in the Technical Detail section at the end of this document.
- File Naming: digital files shall be named without spaces using the following filename format,TitleCatArtist.jpg, where
- Cat is the Category abbreviation: CCE for Conceptual/Creative Editing (formerly Altered Reality, Nat for Nature, Peo for People, Ope for Open, Pri for Print and Uns for UnScored.
- Title is your title for the image; capitalize the first letter of each word but do not put a space between words
- Artist is your last name or if needed, your first initial followed by your last name.
- Do not include spaces in the file name.
- Example: the Nature image “Before the Storm” submitted by Betty Smith (a second member with the same last name, Smith) would have the file name, Before_The_Storm%%Nat%%Betty_Smith.jpg.
- Color Space: The recommended color space is sRGB. If you are not familiar with color spaces, ignore this requirement but please understand that a slight color shift may occur when the image is projected. Guidance on Color Space Conversion appears in the Technical Detail section at the end of this document.
- Macintosh Submission: The suggested gamma for a Mac computer is 2.2. If you are not familiar with gamma settings or if you choose to use a different gamma value, please understand that your image when projected may appear slightly dark; you may want to add brightness to compensate for this situation. Guidance on gamma selection for a Mac appears in the Technical Detail section at the end of this document.
- Digital File Submission: digital files are to be submitted by attachment to an e-mail sent to the club’s exhibition e-mail address, firstname.lastname@example.org. Submit multiple images as individual attachments to a single e-mail if possible. Do not place multiple images into a .zip or similar compressed file. The e-mails must be submitted before midnight on the Friday evening prior to the exhibition. A confirmation notice will be returned when the entry is processed.
- Digital Projector: please understand that even with the club’s excellent digital projector, there can be a variation in color and tonality between the image you see on your home monitor and the image that is projected by the club.
- Suitability: if there are questions about whether a digital file is suitable for exhibition, please contact the Director of Projected Image. A decision by the Director of Projected Image that a digital file submission does not meet the requirements stated above is final and that image will not be included in that night’s exhibition. Any appeal to this decision should be made to the President of the club.
Judging will be performed by three judges selected by the Director of Judges, typically consisting of two professionals and one Club member.
- Performance: the judges shall provide a score for all submissions other than the non-judged digital images. Verbal evaluation of each print and digital file shall be provided by one of the judges.
- Scoring: the prints and digital files shall be judged on a scoring scale of 3 through 9 with the following criteria,
- Score of 9: image showing exceptional artistic and technical skill.
- Score of 8: image showing very high artistic and technical skill.
- Score of 7: very good image worthy of award consideration.
- Score of 6: average image with some good and some bad aspects.
- Score of 5: below-average image needing improvement.
- Score of 4: below-average image with a serious technical defect.
- Score of 3: image with multiple defects.
- Acceptance: an image that reaches a score of 21 by summing the score of the 3 judges is said to achieve Acceptance and will be eligible for the Image-of-the-Year Award.
- If less that 30% of the entries in a given category achieve Acceptance, the criterion of reaching a score of 21 is reduced to a value at which 30% of the entries in a given category do achieve Acceptance.
- Acceptance Variation: there are several variations to the Acceptance scoring to compensate for not having 3 judgments of the image,
- If only 2 judges are available, the total score is increased by 50% (e.g., 2 scores of 7 = 14, increased by 50% gives a cumulative score of 14+7=21).
- If only 1 judge is available, the score is increased by 200% (e.g., 1 scores of 7 increased by 200% gives a cumulative score of 7+14=21).
- When the club judge evaluates their own image, they will disqualify themselves by scoring a 1, and the cumulative score will reflect that one judge was not available for that image. Club judge cumulative scores can include half points (e.g., scores of 7 and 8 = 15 increased by 50% = 15 + 7.5 = 22.5)
Two sets of awards are given at the Annual Awards Banquet for photographic excellence.
- Highest Average Score Awards: recognition is given for the photographers with the highest average scores over the year for each category: Print, ALT, Nature, People, and Open. In each case, the photographer must have a minimum of four images in a category to be counted in the highest average score calculation. Year-end awards will be based on the highest averages and will include 1st, 2nd, and 3rd places, as well as Honorable Mention. The current scores for each photographer is available in the Scores section of the club’s web site, www.cccameraclub.com.
- Image-of-the-Year Awards: recognition is given for the photographers whose work is judged the best for each category: print, digitally altered, nature, people, and open. All prints and digital files that have reached the level of Acceptance are eligible for this award. Image-of-the-Year judging is performed by non-member judges after the November Juried Exhibition using a special judging process closed to the general membership, and the results are not announced until the Annual Awards Banquet.
This section provides guidance in performing the technical requirements for digital file submission. Specific steps are referenced to the current version of Adobe Photoshop but similar procedures are available in other image editing software.
1. File > Save As
2. Set File Name in the format, Title%%Cat%%Artist, where Cat denotes the category and is either ARConceptual/Creative Editing (formerly Altered Reality), Nat for Nature, Peo for People, Ope for Open, Uns for unscored, and Pri for Print. Separate words in Title by an underscore. Make sure you use both first and last name separated by an underscore.
3. Set Format = JPEG (.jpg)
4. Check the ICC Profile box
5. Click on SAVE
6. Set Quality = 10 – Note: Using up to 4000 pixels may result in large files that could be problematic as email attachments. If so, use a lower quality JPEG setting (8 or 9), which will have no noticeable effect on the projected image.
7. Set Format Options = Baseline (Standard)
8. Click on OK
Image Resizing: Method #1 – Image Resize command
1. Image > Image Size
2. Check the Resample Image box and choose an interpolation method (normally Bicubic)
3. Check the Constrain Proportions box
4. Set Pixel Dimensions, either horizontal or vertical, to between 1000 and 4000 pixels
5. Click on OK
Image Resizing: Method #2 – Fit Image command
1. File > Automate > Fit Image
2. Set to at least 1000 pixels but no more than 4000 pixels in either height or width
3. Click on OK
Color Space Conversion
1. Edit > Convert to Profile (for Elements, this is Image > Convert Color Profile)
2. Set Destination Space = Adobe RGB (1998)
3. Set Engine = Adobe (ACE), Intent = Relative Colorimetric, and check all 3 boxes
4. Click on OK
5. Save this version of your file for exhibition with a unique name
Gamma Selection for a Mac Computer
1. Preferences > Display > Calibrate > Display Calibration
2. Select 1.8 or 2.2